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Hussein MADI
Hussein MADI

Yellow Stockings

Giclee print on paper 2/11

61x63 cn

Hussein MADI

Nude

Giclee 40/40

63x44 cm

2007

Hussein MADI

Seven Reclining Women

Portfolio 45/99

Hussein MADI

Birds & Sunset

Giclee 3/11

53.5x50 cm

no. 31

Hussein MADI

Woman & Birds

Giclee 8/11

50x50 cm

no. 17

Hussein MADI

Three Women

Giclee 6/11

50x56 cm

no. 9

Hussein MADI

Abstract

Giclee 10/11

50.5x50 cm

no. 3

Hussein MADI

Woman & Two Birds

Giclee 8/11

50x50 cm

no. 18

Hussein MADI

Untitled

Giclee 10/11

50x56.5 cm

2013

no.40

Hussein MADI

Untitled

Giclee 1/11

48x55 cm

2010

no.14

Hussein MADI

Untitled

Giclee 1/11

44x44 cm

2010

no.10

Hussein MADI

Untitled

Pastel

50x70 cm

2011

HM118

Hussein MADI

Untitled
Giclée print
22 x 20 cm
2008

Ref.madi-3

Hussein MADI

Giclée print 15/20

55x55 cm

2012

HM3.5

Hussein MADI

Giclée print 15/20

55x55 cm

2012

HM3.4

Born in 1938 in Chabaa, Lebanon. Hussein Madi studied painting at the Lebanese Academy of Fine Arts (ALBA) in Beirut and at the Accademia di Belle Arti and the Accademia San Giacomo in Rome, where he resided for twenty-two years. In 1987, he returned to live permanently in Lebanon. Since 1965, Madi has held more than fifty solo exhibitions in Lebanon and internationally. In themselves, the exhibitions have affirmed Madi's outstanding talents as a painter, sculptor, printmaker and designer.

"Madi selects his images with intent. He is a superb draftsman, possessing an eye acutely sensitive to the linear definition of form. When he draws the nude, his crayon or pen intimately follows each curve of the body, each languorous protrusion of limb, with an astonishing purity of expression.

Seated or reclining in quiet repose, these females are totally real and familiar to us in body, temperament and spirit. They are not figments of a naïve imagination. Stored in the memory of Madi's eye and hand is a mature understanding of the human form gleaned from countless hours spent, over years, of drawing and painting directly from live models."

Helen Khal

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